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A.I. Art Valuation Is the Market’s Holy Grail. Here Are 7 Reasons Why It’s Harder Than It Sounds

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Mar 31, 2020
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A.I. Has Transformed the Way Many Industries Function. Here’s How It Could Change the Art Business—Forever

Mar 31, 2020
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A.I. Has the Potential to Change the Art Business—Forever. Here’s How It Could Revolutionize the Way We Buy, Sell, and See Art

Mar 31, 2020
artnet

A version of this story first appeared in the spring 2020 Artnet Intelligence Report and is part of our cover package on Artificial Intelligence. For more, read our glossary of A.I. terminology and our survey of the challenges of A.I. art authentication.  Artificial intelligence has asserted itself as perhaps the single most consequential technology in molding our future—and our present....

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How Artist Lucien Smith, Fed Up With Speculators and Dealers, Quit His Galleries and Got His First Solo Museum Show

Aug 18, 2020
artnet

In 2013, just two years out of art school, the artist Lucien Smith had already become a cautionary tale. That year, his painting Hobbes, The Rain Man, and My Friend Barney / Under the Sycamore Tree set a stratospheric auction record at Phillips New York, when it sold for $389,000. Smith saw two more years of

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Editors’ Picks: 7 Things for Your Art Calendar This Week, From a Ruth Asawa-Inspired Workshop to an Outdoor Photo Show

Aug 17, 2020
artnet

Each week, we search New York City for the most exciting and thought-provoking shows, screenings, and events. In light of the global health situation, we are currently highlighting digital events, as well as in-person exhibitions open in the New York area. (Times are all EST unless otherwise noted.)    Monday, August 17—Sunday, November 29 In

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‘Landscapes Opened a Whole New World for Me’: Artist Shara Hughes on How She Subverts the Tradition of Flower Painting

Aug 17, 2020
artnet

Kaleidoscopic landscapes and riotous bursts of flowers are the signatures of Brooklyn-based artist Shara Hughes—scenes she creates entirely from her imagination. The artist’s third solo show with Zurich’s Galerie Eva Presenhuber, “Day By Day By Day,” opened in June, but she will not have seen it in person by the time it closes in September. “It’s very strange,”

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